Definition of Dactyl
Dactyl is a metrical foot, or a beat in a line, containing 3 syllables in which the first one is accented, accompanied by 2nd and 1/3 unaccented syllables (accented/unaccented/unaccented) in quantitative meter, which include within the word “humanly.” In dactyl, we put pressure on the primary syllable, and do not pressure second and 1/3 syllables, try to mention it loud: “HU-man-ly.” Dactyl originates from the Greek word dáktylos, which means “finger,” because it is like bones of human fingers, beginning from a central lengthy knuckle, that is followed by means of two quick bones.

Opposite to Anapest
Dactyl is opposite to anapestic meter, as dactyl in a quantitative meter is composed of a first pressured syllable, and then two unstressed syllables (stressed/unstressed/unstressed), along with a dactyl from Longfellow’s poem Evangeline: “Loud from its rocky caverns, the deep-voiced neighboring ocean.” However, anapest in a quantitative meter that includes first an unstressed syllable, followed via confused syllables (unstressed/careworn/careworn), such as William Cowper’s anapestic line from his poem Verses Supposed to be Written via Alexander Selkirk, “I should end my adventure alone.”

Examples of Dactyl in Literature
Example #1: The Charge of the Light Brigade (By Alfred Lord Tennyson)
“Half a league, 1/2 a league,
Half a league onward,
All inside the valley of Death
Rode the six hundred.
‘Forward, the Light Brigade!
Charge for the guns!’ he said.
Into the valley of Death
Rode the six hundred.”

In this poem, Tennyson has used dactylic meter perfectly. Notice this dactylic pattern as one accented syllable, accompanied by using unaccented syllables. Dactylic syllables give rhythm and pause whilst reading, consequently laying emphasis on sure phrases.

Example #2: Evangeline (By Henry Wadsworth Longfellow)
“THIS is the woodland primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct inside the twilight …

Distant, secluded, still, the little village of Grand–Pre …

Dikes, that the palms of the farmers had raised with hard work incessant …

Leaped like the roe, while he hears within the wooded area the voice of the huntsman? …

Darkened by shadows of earth, but reflecting an picture of heaven? …

List to the mournful tradition, still sung through the pines of the wooded area … “

This is a totally popular example of dactylic meter appearing in aggregate with spondaic meter. Look on the phrases proven in bold, with a strain pattern of one accented syllable observed by means of two unaccented syllables.

Example #3: The Lost Leader (By Robert Browning)
“Just for a handful of silver he left us,
Just for a riband to stick in his coat—
Found the only gift of which fortune bereft us,
Lost all of the others she shall we us devote;
They, with the gold to deliver, doled him out silver,
So a great deal became theirs who so little allowed:
How all our copper had long past for his service!”

Browning has used dactylic meter to create a exquisite rhythmic effect. Most of the lines of the above verses contain four dactyls.

Example #4: (Out of the Cradle Endlessly Rocking (By Walt Whitman)
“Out of the cradle, endlessly rocking
Out of the mockingbird’s throat, the musical shuttle
Out of the Ninth-month midnight …”

Whitman is the use of dactyl within the phrase, “Out of the …” as a pulse riding throughout this poem, that's producing a starting point for every new line.

Example #5: Higgledy Piggledy (By Ian Lancashire)
“Higgledy piggledy,
Bacon, lord Chancellor.
Negligent, fell for the
Paltrier vice.

Bribery toppled him,
Finished him, testing some
Poultry on ice.”

This is a perfect instance of a double dactyl poem. It is built of two quatrains, each together with dactylic dimeter traces. Here, the primary line is a nonsense phrase, and the second is a proper name, even as the sixth line is a single double-dactylic word. Double dactyl creates rhythm and humor on this poem.

Function of Dactyl
Dactyl meter is rare in English poetry, as its prolong use has distorted the ordinary accent of phrases. Also, it offers the traces a jerky motion. The major motive of dactylic rhythm is to create lilting motion and a break. Apart from this, it makes poems pleasing, as intrinsically it's miles delightful, and makes it more meaningful by the usage of harassed and unstressed patterns. As a ways because the beginning of its usage is concerned, Greek and Latin have introduced this metrical shape in classical epic poetry for melody. However, later inside the nineteenth century, it began appearing regularly after poets like Algernon Charles Swinburne and Robert Browning efficaciously used it.
Cumulative Sentence Deductive Reasoning